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Against A Dark Background & Cuckoo In The Nest – Some Book Reviews

June 11, 2013 by Nick Bryan

Nowadays, there isn’t a huge amount of “original content” on this site. Yes, it’s good that other people want me to write for them, but I do feel bad having my own blog be nothing but links.

In the near future, I might try and ready a post or two about where I’m at (or something less horrific-sounding), although my actual process hasn’t changed much since I wrote this one, but for now – here are two books I’ve read recently and wanted to quickly get some thoughts down on. They have almost nothing in common with each other.

Against A Dark Background – Iain M. Banks

Iain M. Banks - Against A Dark BackgroundThis one has ended up being accidentally topical since Banks sadly passed away last weekend, but I finished the book a week or two back. Fortunately, this is going to be a pretty positive review, otherwise I’d feel a tad guilty about posting it. Basically, Against A Dark Background is a sci-fi action-scavenger hunt adventure, with a lot of heisting, wisecracks and, at the end, a sudden tug into seriousness.

I read this as a rare experiment in “hard” science-fiction, and perhaps it wasn’t the best choice, as it’s actually quite breezy. Still, Banks throws some cool concepts around (especially the plant-planet in the middle segment, and the all-important “Lazy Gun”), and at least I didn’t feel alienated by it. The second half in particular really pulled everything together – after I’d started to worry this was a shallow book about people being snarky and running, we’re hit with a string of emotional sequences and reveals.

Really, I should’ve expected that an author this renowned would be pretty skilled. Banks toys with a constantly floating third-person perspective, very odd when I’m used to the standard close third, but it still works. Against A Dark Background is perhaps not a life-changer, but a fun, ultimately satisfying space-romp. As a first dip in the science-fiction pool, good stuff.

Cuckoo In The Nest – Nat Luurtsema

Cuckoo In The Nest - Nat LuurtsemaIn my early twenties, I read a lot of “real-life” comedy books, by Danny Wallace, Dave Gorman and so on, where an author writes about their hilarious real life, while we laugh along and wonder how much of this crazy stuff was planned for the book. Cuckoo In The Nest has a similar chatty comedy style to those, but with added plausibility, which can only be a good thing.

Well, perhaps not for Nat Luurtsema herself, as she’s writing about being forced to live with her parents for six months, aged 28, due to chronic househunting disorder. It works, partly because Luurtsema is funny, but equally because she’s willing to be brutally frank about her life – or at least, honest enough to elevate this book beyond moany blogging. (It did, in fact, start off as a blog.)

It’s the right length, perhaps stabs a bit suddenly for pathos as the end approaches, but the scattershot sense of “Oh, um, yes, this is what I should do here” works with the voice, especially as Luurtsema proceeds to knowingly undercut her own conclusion anyway. As a creatively-aspiring late-twenty-something who lives in ongoing fear of boomeranging back home, maybe I’m rather squarely in the target demo, but still, enjoyed this book.

And now, for added multi-media content points, here’s a book trailer thingy I found for Cuckoo In The Nest whilst googling for the above cover image.

Filed Under: Book Reviews Tagged With: against a dark background, book reviews, books, cuckoo in the nest, iain m. banks, nat luurtsema, writing about writing

The Age Atomic by Adam Christopher – Book Review

May 8, 2013 by Nick Bryan

The Age Atomic - Adam Christopher

If you enjoy novels that mash up their genres, smooshing a range of aesthetics together into a weird whole, then Adam Christopher’s The Age Atomic could be for you. At last count, it combines parallel universes, steampunk airships, superheroes, 50s nuclear paranoia and a noirish private dick together into one bizarre soup.

So, to really strain this metaphor to pieces, how tasty is that soup? Is it the same sickly green as the book cover?

Difficult Second Book?

The Age Atomic is actually the second book by Christopher in the world of the Empire State – the first one, simply entitled Empire State, sets up the premise and many characters. If you were lured in by Age Atomic’s lovely cover, I’d strongly recommend making a short detour to check out the previous book first. Don’t worry – its cover is equally lovely.

Not that The Age Atomic is new-reader unfriendly – I think you could get everything that happens easily enough, but it will have more resonance and interest if you’re familiar with everyone. Also, you’ll have appreciation for the improvement between the two: the second book worked a bit better for me.

The fun, runalong, comic-booky tone is the main strength here, and the quicker these books moved, the more I enjoyed them. Empire State has a whole first half which runs a bit slow, whereas The Age Atomic only has the spell in the middle where lead detective Rad Bradley is stuck in a warehouse for ages.

Look, I Just Love Comics, Okay?

“Comic-booky” doesn’t mean silly though – the sad journey of villain Evelyn McHale during the second book is one of the strong points, and her emotional finish brings a little grounding to a climax that might otherwise have been too broad and zappy.

Since the mysteries behind the universe are revealed in Empire State, this sequel is free to explore, flick between the two and show us some different sides to the worlds, especially the “real” New York. That was interesting, it felt more of a living, breathing place this time, like the range of influences fitted together more seamlessly.

I must admit though: after two books, I’m growing restless with Rad Bradley as lead character – his point of view and emotional range seem restrictive; I can detect my enjoyment rising when reading a chapter from someone else’s perspective. Is this intentional? Are the people in the “pocket” universe meant to feel more like fictional characters?

But yes, if you want to see all these genre ideas side to side, in a way that has clearly had thought put into it, these are two decent books and The Age Atomic is the best one. It’s seventy pages shorter than Empire State, and I’d be fine with the next one being shorter still – the more tense and fast-moving the scenes, the better this worked for me. Not life-changing, but enjoyable – if you like comics, they might particularly work for you.

Filed Under: Book Reviews Tagged With: adam christopher, book reviews, reviews, the age atomic, writing about writing

Ex Machina by Brian K. Vaughan/Tony Harris – Review

May 1, 2013 by Nick Bryan

Ex Machina by Brian K. Vaughan and Tony Harris

Ex Machina is a comic book about a superhero. Well, a past-tense superhero – comic fan and civil engineer Mitchell Hundred gained the power to control machines, and embarked on a brief superhero career as The Great Machine, before jacking it in and running for Mayor of New York, believing he could do more good that way.

The series itself, by Brian K. Vaughan and Tony Harris, starts off with Hundred sitting alone in the dark offering to tell the story of his four years in office, with one warning: “It may look like a comic book, but it’s really a tragedy.”

Well, he wasn’t lying.

The Tragic Machine

Not that I’ll be spoiling the ending, but I’m just saying: it lives up to the tease. Oh, and if you can read the whole series without looking at spoilers, it’s definitely worth doing.

The comic began in 2004, and ran through for fifty issues to a pre-planned conclusion – I read the first few collected editions around the time they came out, then slacked off comics for a while. After Vaughan recently returned to prominence with Saga, a new sci-fi series drawn by Fiona Staples, I decided to finish it off.

The execution of Ex Machina is aptly mechanical – Vaughan’s work always brings the feel of having real thought behind it, from detailed character backgrounds to universe-building, as well as the clear research that’s gone into the political scenarios. (So much research that the characters can’t stop spilling factoids.)

But honestly, it’s the tragic spiral of Mitchell Hundred that’s both most compelling and most difficult to read. As witnessed by the recent success of Breaking Bad, everyone loves a good epic tragedy – watching a character you both love and hate plunge down a horrible rabbithole of their own making is hard to look away from.

Heavy Engineering

Ex Machina might not be entirely perfect – meanders a bit in the middle, slight habit of forgetting supporting cast members until they suddenly become important, – but particularly when read quickly as a whole story, rather than small chunks, these things don’t register as much.

The art is a big part of the success as well; Harris’s photo-realistic style makes it easy to take Mitchell Hundred’s human struggles seriously, even though he has multiple flashbacks to dressing in a silly costume. Said style can vary a lot, sometimes between issues, but it’s never less than lovely

.In short, if you enjoy the big-name mature reader comic sagas like Preacher or Transmetropolitan, I think Ex Machina has earned its place on that list. Maybe it’s not taken as seriously due to the superhero elements, I don’t know, but it’s a great, thoughtful comic. Now, I really need to check out Saga.

Filed Under: Comic Reviews Tagged With: comics, ex machina, reviews, writing about writing

The Hunger Games Book To Movie – Adaptation Injuries

April 17, 2013 by Nick Bryan

The Hunger Games - Filmy Edition

I saw the film adaptation of The Hunger Games over the weekend, having read the book six months ago. A very topical choice, as the publicity is just revving up for the November release of the second movie.

So, how was the adaptation? What interesting choices did they make? Did I enjoy it? All that and more!

(Note on spoilers: there will be some.)

Tracker Jacker, Tracker Jacker, They Will Sting You In The Face…

The original Hunger Games novel was largely written in first person, and it works nicely for the main action: it’s a load of survival violence in a wooded area, and the desperation and ingenuity of Katniss is well-portrayed by her breathless internal monologue.

Obviously, that’s tricky with a film, but to their credit, they make a real effort to recapture it here. The wordless storytelling on display during the Games sequence is impressive, even if it does mean large chunks of this film you can’t easily watch whilst checking Twitter.

And the rest of the time, they cut to the news coverage or control room to give us exposition – about what the hell a Tracker Jacker is, for example. ( I assume not just me who started singing Tracker Jacker to the tune of Swagger Jagger there?) But they never stick with the outside characters long enough to take the focus off Katniss.

Fight Fight Fight Win Win Win

Yes, a few bits are cut: for example, not many of the Games players, beyond heroes Katniss and Peeta, get much development, but there’s only so much a filmmaker can do. Ultimately, like many reasonably faithful book adaptations, they’ve kept to the spirit of it, but if you want more detail, you can always read the book.

One omission that did slightly disappoint me: the violence. The Hunger Games in novel form was surprisingly visceral and unpleasant for a teen-targeted book, but the screen version sticks to very clean, off-screen or weirdly bloodless death. A few shots of flesh wounds and that’s about it.

This may make me sound like a monster hungry for blood, but I felt one thing the book did well was showing us horrific real life violence rather than a clean video game, and the film comes close to going back the other way. Still, the reactions of the actors (especially the excellent Jennifer Lawrence) do a lot to sell the horror.

Obviously, the filmmakers wanted their 12 certificate – although I gather a 15-cert “uncut” edition is available and the differences are tiny. Nonetheless, aside from that one issue of commercial reality, they realise the world nicely – I hate Gale, but I hated him in the books too. Good film, looking forward to the sequel.

Filed Under: Film Reviews

London Falling by Paul Cornell – Book Review

April 10, 2013 by Nick Bryan

London Falling - Paul Cornell

Today’s book review is London Falling by Paul Cornell – a writer I already liked for his excellent Captain Britain And MI13 comics, as well as the Human Nature two-parter on Doctor Who, one of my favourite David Tennant episodes.

So I had expectations of London Falling, described in the authorial blurb as his “first urban fantasy novel”. It’s the beginning of a mooted Shadow Police series, introducing a team of enjoyably grounded police folk, who find themselves thrust into the messy world of supernatural evil lurking beneath the surface of the one they already knew.

Detective Inspector Britain?

The big selling point here, for me, was not the fantasy stuff but the air of realism – Cornell has done his research to give us a plausible glimpse into the life of UK police. There’s a nice balance between the driven-for-justice fictional lawman and more complicated characters, who struggle with personal demons even before the literal ones turn up.

Which brought me to another realisation: I would happily read a completely straight realistic crime novel by Cornell about these characters. Having said that, his take on how the police try to bring the weird shit down to their level is very logical and intriguing.

He balances his ensemble cast and their multiple perspectives deftly as well, which shouldn’t surprise those of us who read Captain Britain.

Mind’s Eye VS TV Eye

Interesting to note from the acknowledgments at the back that this was once developed as a TV idea – I can see how it would’ve worked on-screen, maybe one day it still will, but I think Cornell is able to do some more interesting things with the magic imagery here, sequences that would be a struggle to visualise effectively. (Especially on a BBC budget, it has to be said.)

Oh, there is a big reveal towards the end which was guessable quite a while earlier. I’m curious how intentional that was – if it was meant to be a jawdropping surprise from nowhere, didn’t quite work, but perhaps Cornell was fully aware some would get it.

Anyway, another TV-like quality: it’s clearly setting up the Shadow Police elements for a series, and happily, the sequel sounds like it’s definitely happening. I admit, I won this book in a competition on the generous Bleeding Cool blog, but I’ll be spending hard cash on the follow-up. If you want a thoughtful, grounded take on supernatural cops, London Falling is definitely worth a read.

Filed Under: Book Reviews Tagged With: book reviews, london falling, paul cornell, writing about writing

A Storm Of Swords by George R.R. Martin – Untimely Thoughts

March 20, 2013 by Nick Bryan

A Storm Of Swords - George R.R. Martin

Last week, I finished A Storm Of Swords, the third book in George R.R. Martin’s A Song Of Ice And Fire series. Of course, these are among the most prominent fantasy books in existence right now, thanks to their TV adaptation Game of Thrones, so I doubt I’m alone there.

Having read the other two books after watching their screen equivalents, I thought I’d try this one the other way round. So, how was the experience? Has it affected my expectations of the upcoming series?

SPOILER WARNING: If you’re following the TV show, haven’t read the books and want to remain totally unspoiled for events beyond season two, best not read this.

Vague Review (no real spoilers)

Review verdict out of the way: yes, this is a good book, possibly the best of the three I’ve read. The sprawling universe Martin has created is hugely impressive, even if I sometimes lost track of exactly who was who. In many ways, that makes it feel more realistic –you have a “close” circle of people, then a raft of acquaintances.

He wraps up plot threads stretching back to book one – at times, this reads like the climax to a trilogy. There are a few slightly samey chapters of characters trudging around to get into place, but once you get to about 45% (yes, I read it on a Kindle), the pace is full-speed to the end, which is impressive for such a long book. And the climactic scenes are amazingly satisfying once you get there.

TV Murmurs (minor spoilers)

Indeed, the book is so long that it’s being spread across two seasons of the TV show, which is interesting because of all the set-up in the first half. Based on early publicity and comments from the producers, it sounds like they’re going for the Red Wedding as centrepiece to season three. That’s going to be horrific, isn’t it? I mean, just reading it was bad enough.

And then, presumably, Joffrey’s wedding and subsequent manoeuvres in season four, maybe with some material pulled forward from book four to pad out the remaining space. Danerys really doesn’t get a vast amount to do in the latter half of book three, which might mean a worrying amount of padding to keep her in every episode – which would be annoying, as they already did that in season two.

Still, it was a great read, hopefully an equally good twenty episodes of telly. Definitely got me excited for the series returning next weekend. Let me know below if you have any thoughts about all this – if you can refrain from spoiling books 4-5, though, I’d appreciate it. Ta.

Filed Under: Book Reviews Tagged With: a song of ice and fire, a storm of swords, book reviews, books, game of thrones, george r.r. martin, writing about writing

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