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Is comedy dead? Or just not a great selling point in publishing?

June 16, 2014 by Nick Bryan

LOL?

Yesterday, I attended the final day of The Literary Conference 2014, an event thrown by The Literary People at The Literary Consultancy. I attended a few things, drank some nice coffee, and heard a thought that stuck with me: a brief answer uttered by a literary agent during the Pen Factor (literary X Factor) event.

One author read from a work which seemed to place itself as a humour story. Said agent commented that novels which identify heavily as comedy versions of existing genres tend to be a hard sell. After all, comedy is pretty subjective and “parody novels” are rarely amazing, so if possible, it’s better to market your comedy thriller (for example) as a thriller, and let people decide whether they like the book on those terms. If they happen to find you funny, bonus.

As someone who writes “funny” stories and mentions that attribute when describing them, this obviously gave me pause. So… time to reconsider?

Me and Jokes

When my weekly detective serial  Hobson & Choi began, I marketed it as a detective comedy and generally played it up as a LOL destination. By the second storyline, I’d realised I was taking the characters seriously, even if they said funny things, and shifted the blurb to “comedy-drama”.

Across everything I’m currently attempting, there’s self-aware humour, but the story isn’t shooting for farce. There’s even heavy emotional torment at times. So maybe I can get away with not labelling it as comedy at all if it helps me get a sale? Even though, yes, some of the surrounding concepts are a bit silly and self-aware?

On the other hand, I feel like I’d be missing a trick if I didn’t somehow communicate “Hey, this is pretty funny!” Among the other tips distributed on the day was the need to play up what makes your work unique and, well, that’s a big petal on my special little flower. (A weird expression I’ve just made up.)

Everyone Else and Jokes

Reaching outside my own inner world, a lot of my favourite stories and series mix comedy and drama, and although some of it self-identifies as comedy, a fair bit doesn’t. Political drama The West Wing is often funnier than most sitcoms. House isn’t technically a comedy, even though it constantly stabs for jokes.

Filed Under: Writing About Writing Tagged With: books, hobson & choi, Hobson And Choi, publishing, the literary consultancy, tlc14, writeblog, writing about writing

Devil Deal Novel Draft #3 Word Count – By The Numbers

May 30, 2014 by Nick Bryan

All on target this week, as I sailed through the final stages of Novel Draft The Third. This will be a familiar tone to regular readers of this blog, most writing updates in the last month or two have broken down to: “Today I reached another book milestone!”

But just to reiterate what it all means: I am now at the point where I will show my book to some other humans. I’ve recruited a few volunteers from my writing group and personal life, now just gotta email it over to them. Once I’ve plucked up the courage to tackle Scrivener’s sometimes-horrific ebook compiling options.

Anyway. In a bid to keep the blogs interesting, I’m going to run some actual stats for the whole project, to see how much I cut, where it went, what it all means, etc. Will the numbers tell me anything of worth?

I don’t know, as I haven’t generated any of them at the time of writing this intro. Better go do that now.

THE BIG ONE: Total Word Count

First up, and most tedious to calculate as Scrivener clunks and struggles when putting a whole novel of scenes together: the total word counts of the three drafts.

  • First draft: 99,165 words.
  • Second draft: 94,923 words. (4,242 words shorter.)
  • Third draft: 90,605 words. (4,318 words shorter.)
  • Total cuts: 8,560 words. (8.63% of first draft total.)

The good news: I almost cut out ten percent of the novel, which I’m sure someone said was a good baseline amount to chop. It’s a good bit shorter anyway – a relief, as there were times I thought I wasn’t making much difference in length terms.

Much more surprising is the news that I removed more (just) with my second big pass than I did the first. During that draft, I chopped out, rewrote and condensed whole scenes, whereas the one I just finished was merely me picking through it line by line, improving flabby prose, reading it out to myself – generally beautifying the fucker before I let beta readers have it. Because if the main beta feedback is “You used the word actually too much, actually,” it won’t be hugely useful.

Does this mean I have more to do in terms of second-draft plot refining stuff? Possibly. But I’m in such a love-hate spin with the whole book after four months of intensive editing, I’d rather like to get some other opinions to bat against before doing any more sweeping changes.

Scale of Offcuts – The Butchery Index

And now, a stat I find compelling, but others may not. Let’s find out together.I have a Scrivener directory called Offcuts where I collect any scene I’m removing, rewriting, substantially changing or any other degree of alterations beyond minor text-picking. I don’t want to delete them, in case they’re one day called into service (in this project or another), but it’s possible they will never see the light of day.

The size of this directory at the various stages was…

  • First draft: 3,906 words.
  • Second draft: 43,924 words. (3,906 more.)
  • Third draft: 43,924 words. (Yes, it’s the same.)

Wow. That is a lot of unused flesh. Nearly a whole NaNoWriMo novel,  approaching half of the current book length. A lot of it isn’t material that was necessarily deleted, just heavily rewritten, but still. I enjoy looking at this number, it makes me feel like I must have obeyed the editing commandments and killed at least a couple of darlings.

It makes fair sense this wouldn’t change much in the third draft – after all, chopping and changing whole scenes is the preserve of the second. The third was line-by-line stuff, and I have full copies of the first and second draft saved if I desperately need to resurrect them. Constantly resaving the same thing gets silly after a while.

Break it down, down down down…

I have three parts to my novel, because there’s nothing I enjoy more than a rigid beginning, middle and end. So, in the interests of science, how did those change over the three drafts?

PART ONE

  • First draft: 29,071 words.
  • Second draft: 29,742 words. (671 words longer.)
  • Third draft: 28,510 words. (1,232 words shorter.)
  • Total change: 561 words shorter.

PART TWO

  • First draft: 35,782 words.
  • Second draft: 31,817 words. (3,965 words shorter.)
  • Third draft: 30,394 words. (1,423 words shorter.)
  • Total change: 5,388 words shorter.

PART THREE

  • First draft: 34,287 words.
  • Second draft: 33,339 words. (948 words shorter.)
  • Third draft: 31,676 words. (1,663 words shorter.)
  • Total cuts: 2,611 words shorter.

To my not-particular-surprise, the middle part took it hardest. I did a lot of work tightening that up, because it was flabby and because that’s where there’s always the most waste, in my experience of stories. I rewrote a couple of whole chapters, pulled a few bits in and out. Interestingly, the first part grew slightly longer in the second draft, I guess I did expand a plot point.

Most impressive, though: I took a similar amount of words from each part during the third draft, which demonstrates I have roughly the same amount of useless bibble in any given bit of writing.

Dates to celebrate in later years

Just out of interest, based mostly on Scrivener folder creation dates…

  • First draft started: 11th April 2013
  • First draft finished: 24th November 2013 (Draft time: 7 months and 13 days.)
  • Second draft started: 3rd January 2014
  • Second draft finished: 30th April 2014 (Draft time: 3 months and 27 days.)
  • Third draft started: 1st May 2014
  • Third draft finished: 28th May 2014 (Draft time: 27 days.)
  • Three-draft time: 1 year, 1 month and 17 days.

And that’s with December and February basically off the job, working on other projects and/or Christmas. I was editor of a TV website for the whole of 2013 too. I have this dream of hammering out another whole first draft before the end of this year, but we’ll get back to that in later blogs.

For now, considering it was once a hundred thousand words long, I’m considering this an okay effort. Good head of speed towards the end there.

Okay, did I miss anything?

That’s probably numbers aplenty for today, considering this is a novel draft only a small percentage of you will ever read. But if this tells you anything about my writing achievements and helps you compare/contrast/feel good about your own, that is excellent.

If there are any obscure stats I haven’t run which you would be interested in (or think I would be), give me a shout in the comments. Make sure to show your full working, I’m a simple soul using Windows Calculator.

Filed Under: Writing About Writing Tagged With: amwriting, numbers, statistics, writeblog, writing about writing

How many drafts? Definitely more than zero…

May 23, 2014 by Nick Bryan

Absolute ZERO?

Today, after considerable striving, I finished one of the many readthroughs I am doing on The Novel. This was one part of a raft of edits, which together constitute a third draft – more details on those here if you’re interested – and I’m hopefully within a week or two of finishing the whole damn lot. After that, I may let some other people read it.

The whole draft-counting system is a very personal thing really – you’d think the criteria for a first, second and third draft would be easy to define, but in reality you might as well ask a writer to define the concept of being. In fact, that might be quicker. (But I would say that, I have a Philosophy degree.)

In general, I’ll use whatever approach works for me at the time. One numbering idiosyncrasy I’ve never quite found a use for, though, is Draft Zero.

Draft Zero – Non-achievement non-locked?

I believe the idea of draft zero might’ve started up post-NaNoWriMo – people were writing fast, getting a text out but at a quality they didn’t feel happy naming as a first draft. So, to achieve mind/life tranquility, they designated it zero and advanced to first draft once they’d done rewrites/expansions.

We all want that peace and quiet, I know I do. Personally, though, I couldn’t bring myself to do it. I don’t know if that’s just a subconscious desire for order and logical numbering. It perhaps doesn’t help that I have never managed to produce a whole draft of anything within a NaNo – it always requires three-to-four months either side, stubbornly keeping going until I have something full.

And once I’ve got a full book-length text, even if I know immediately it has issues, that’s the first draft. If there were scenes or whole subplots missing, maybe it would be a draft zero. Or if I planned to literally start from scratch and rewrite the entire thing. But even then, I’d probably go for draft 0.5 because then it means something exists, y’know? Numerically?

I think that’s why I never took to the whole zero concept. Having done the work, I want to acknowledge it a little. In a similar vein – I could’ve refused to award myself the Second Draft achievement until I had something I was willing to show people, but it was a fuckton of work. It genuinely produced a much different, better manuscript and, when doing a single task that takes the best part of a year, I like rewarding milestones in a way I can enjoy, rather than nullifying them.

And to think, there was never a WriteBlog #0…

But, as I’ve amply demonstrated, all this is just why it doesn’t work for my personal mindset. If designating your first runthrough as draft zero serves as amazing motivation, makes it feel like more of a blank slate for future greatness, then more power to you.

Could be I’m just warped after years reading superhero comics, watching Marvel and DC publish issue #0 before issue #1, for no reason other than first issues always sell more, and this way the series effectively gets two of them. (Hobson & Choi #0! Never coming soon!)

But I’m rambling. Maybe the reason I’m dreaming of rattling down early novel efforts is because it’s been six months since I churned one out and I miss it. Still, in a week or so, I’ll have officially finished my third draft on the current and be one step closer to doing that again. In the time it takes me to get there, maybe I’ll have embraced the healing powers of draft zero.(That probably will not happen.)

Filed Under: Writing About Writing Tagged With: draft zero, lifeblogging, writeblog, writing about writing

Why can’t I work at home? – A video study in writing and procrastination

May 16, 2014 by Nick Bryan

So, for a while now, I’ve found myself unable to get much work done in my home. I’m not sure why, my procrastination levels just spiked, but I’ve spent ages going to a local cafe as a result. Loads of time, loads of money, but I’ve also achieved a fuckton of writing, so maybe it’ll just have to be fair enough.

Anyway, long story short, I fancied doing another video blog after last month’s moderately fun experiment, so I have created the below. A short piece exploring that very question: why can’t I work at home?

And for anyone interested: yes, that is my workspace. Judge away. (Watch it on YouTube here.)

So, can you no longer work in your house? Is it for the same reasons as me? Feel free to form a sufferer support group in the comments, I’ll break up any fights.

Filed Under: Writing About Writing Tagged With: procrastination, vlog, why can't I write at home?, writeblog, writing about writing

I AM NOT A NUMBER (but my novel editing progress is and I can’t stop looking at it)

May 9, 2014 by Nick Bryan

This week, threatened as recently as last week, I launched into the third draft of my constantly-in-progress novel. This is the phase where I trawl through the entire text of the book, picking at individual words and trying to get it to the stage where I’m willing to share it with my elite team of beta readers.

ASIDE: If you want to join said elite team, email me and volunteer, or contact me using any other method available to you. All viable humans considered, especially those able to read a book in 1-2 months and provide feedback more detailed than “Yeah, it was okay.” Beta reading likely to commence in early-to-mid June.

But I’m getting ahead of myself. I launched into the editing process, and quickly settled on a method. For more details on said method and its implications for my location, read on…

Editalactus – Mincer Of Words

In a bid to give the words a thorough beating, my “third pass” will actually consist of three passes – one in the cafe with music on, picking at the language and doing any final bits of continuity straightening necessary. After that, I read the whole thing out – yes, with my voice at full volume – which usually serves to find clunky phrasings and stupid repeated words.

Last of all, I run this version through the Hemingway web app, which I think I’ve mentioned here before. This provides one last suggestion of overlong clunky sentences, letting me snip a few more chunks away.

So, that’s what I’m doing. I have nearly a hundred thousand words to feed through this mincer, and in the last week, I’ve managed a third of the novel. Not bad. Probably helps that I’ve spent three whole days in that time doing almost nothing else.

With this in mind, I might be on track to finish by the end of the month, then I can get some opinions and work out how much more work is needed. Must admit, I’ve already found myself eyeing up some bigger changes to the first third, but I’m tempted to let a few other people read it first. Be good to finally get a wider view on this thing rather than keep picking and picking.

Sit still, you idiot.

The down-side of the above-described editing process: I can’t do all of it in the cafe. Specifically, the part where I read out the text to myself. Doesn’t really work in public, people give you odd looks.

For a year or so now, I’ve basically done all my writing in the same Walthamstow cafe. Working at home just hasn’t been productive for me, I’m too prone to wandering off and procrastinating. But I’ve had to force myself through it this time, and although there are still a few hours that got lost in the whirl of talking to myself, the job is getting done.

Maybe one day, I’ll be able to work at home when I don’t have to. Might save me a few quid on coffee, at least.

So yeah, it’s getting done. When I laid out the target of finishing this edit by the end of May, I thought I was being self-punishingly optimistic, but perhaps not? We’ll see if this progress continues in subsequent weeks, I suppose.

WRITEBLOG EDITORIAL ANNOUNCEMENT

You may note I’ve stopped numbering my blogs about writing, as there was more or less no point. Sorry to anyone upset by this. I’m a slave to public approval, so feel free to argue the case for numbering in the comments…

Filed Under: Writing About Writing Tagged With: amwriting, lifeblogging, writeblog, writing, writing about writing

Is it me or is there a COMPLETED SECOND draft in here? (WriteBlog #24)

May 2, 2014 by Nick Bryan

Unfortunately, the pun in the title doesn’t really work, as that kind of draft is spelt draught. But enough self-sabotage.

This week, on Wednesday to be precise, I completed the second draft of the novel I’ve been blogging about for ages. So yeah, hit my self-imposed deadline of the end of April by about six hours, go team. Now, this doesn’t mean it’s time to show it to publishing professionals, or indeed other humans at all, but it is a major chunk of work finished, and I’m going to number it as second draft anyway, simply because it gives me a feeling of progress.

So what exactly do I mean by second draft? And what’s next if not showing it to others? Time now for a little pause-and-take-stock in the editing process.

“It’s like running a comb through the forest.”

The second draft, as I’m defining it, involves going through the entire first draft text and trying to turn it into a coherent item, which you could conceivably go through from beginning to end and understand. I’m not saying every detail will be correct or the writing will be beautiful – in fact, that definitely isn’t true – but I have a thing that resembles a story.

More excitingly, it more or less resembles the story I wanted to tell when I started this whole process.In practise, this involved re-ordering or re-writing a lot of scenes, jamming new segments into them, not to mention the heartbreaking deletion of bits which no longer work. My deleted offcuts folder for this project is a terrifying 43,924 words – a lot of work to accept that you may never use.

(Well, there’s one whole deleted chapter which may find a home in some future related project, as I still like it, but the story has shifted and left the poor thing homeless. But aside from that, yup, it’s all being launched into the void to die.)

But at least it sounds like I’ve done something. Plenty of new writing, interesting thoughts about old work, gratifying sense of creation. The best editing experience I’ve yet had. I won’t be showing the first or second drafts to anyone, but one definitely advances the other.So, what’s next?

“It’s like fighting off an ant invasion using a sledgehammer.”

Well, the detailed editing, which I call the third draft because, again, it’s nice to feel like you’re achieving something. The bit where I go through the text in a finer fashion, potentially more than once, trying to get all the sentences to look and sound nice, spot the details which contradict each other, ruthlessly eliminate words like actually and finally which I use every five minutes and are never fucking worth it.

In short, yes, this is the fiddly part many non-writers assume I’m doing when I first start editing. If only.It also includes the always-entertaining section where I read the whole thing out loud to myself, alone in my house, hoping to spot awkward sentence construction and over-used words. The current manuscript is only 94,000 words so hopefully that won’t take too many thousands of hours.

I still live in hope this won’t be a huge chore. The last editing section was surprisingly pleasant, as it was still writing basically, but this really is word-by-word text examination. I’m going to try and push through it relatively quickly to avoid that being too much of a problem – in my dreams, I’m finished by the end of May. In reality, the end of June might be more realistic.

And then. Well, then we really are ready for other people to read the thing. And I’m sure I’ll talk about that when the time comes.

Tune in next week to find out how much/little of a boring task this third drafting really is. And then come back the week after that to see me change my mind.

Filed Under: Writing About Writing Tagged With: amwriting, lifeblogging, writeblog, writing, writing about writing

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