Nick Bryan

Hobson And Choi

The Girl Who Tweeted Wolf – Hobson & Choi: Case One! Cover! Blurb! Release date!

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So. In the not-too-distant future, the first case of Hobson & Choi, my mismatched detective duo London crime series with a darkly comic tone, will be self-publishing. I have a nice cover, a sales blurb-type-thing, a new title, a release date, and I am about to declare all of those things.

Exciting stuff. Probably best to just get on with it. First up, then, is the real meat: cover and blurb time.

The Girl Who Tweeted Wolf

“If we get 400 followers, John Hobson will solve that nasty wolf-murder case for free! Fight the thing himself if he has to! #HobsonVsWolf!”

Angelina Choi was only trying to drum up some Twitter followers and make a good impression on her first day interning at John Hobson’s one-man detective agency.

But the campaign went viral and now they have a murder to solve, no money coming in, and an unwilling Hobson faced with battling some enormous beast.

With both follower and body counts rising, can they crack the case without offending everyone or being eaten by a huge dog?The Girl Who Tweeted Wolf is the first case starring Hobson & Choi, a bickering, mismatched detective duo for 21st century London. This book collects the debut storyline of the hit darkly comic crime web serial, extensively rewritten and improved for this definitive edition.

Also included: book-exclusive bonus story The Left Hand Is Always Right, grim tale from a dark corner of Hobson & Choi’s London – The Left Hand, budget pub of crime.

The What-When-How

So, that’s the what. Next important bit of news, I suppose, is when: The Girl Who Tweeted Wolf will be out on Tuesday July 22nd 2014 in electronic formats. It might take a day or two to get through to all of them, but I’m aiming to be up on Amazon, Nook, Kobo, iBooks and whatever else Smashwords will punt me onto.

For print users, there is a standard paper edition coming in August just as soon as I’ve finished back-and-forthing with proofs. Rest assured, I’ll try my best to make a big deal out of that too.

“But what about me, Nick?”

If you want to get involved now, The Girl Who Tweeted Wolf is up on Goodreads so you can add it to your to-read list and such. Also, if you have a book-review blog or enjoy posting reviews on Amazon/Goodreads/anywhere else book reviews are posted (or both of the above), email me and I may be able to sort out a proof e-copy of the book for consideration in truthful review.

In a similar vein, if you have a blog/other outlet and want to get even more involved, I am well up for talking about the release anywhere that will have me. For discussion of guest posts etc, just email me. I’m sure we can work out some kind of fair arrangement.

And if you want some new H&C material right the hell now, you can still get a complete two-thousand word done-in-one (not part of this book, an entirely standalone new thing) by signing up to my mailing list here or via the form which should appear in the right sidebar of this blog. This will, as you may have guessed, guarantee you an email when I publish The Girl Who Tweeted Wolf.

That’s probably it for now – if I’ve missed any crucial details, let me know in whatever medium pleases you. For now, let’s just take another look at the cover in attractive 3D-rendered form. Thanks to Design For Writers for their lovely work on the actual design, by the way – do contact them if you need anything similar, they’re good.

New Hobson & Choi story! Free to mailing list subscribers!

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Hobson & Choi #74: "Agendas"

Want more Hobson & Choi? Fancy seeing the pair solve a whole unfaithful spouse case in a mere two thousand words?

Well, you’re in luck, as I’ve just written Current Affair Commentary, a new short story in which that exact thing happens. And you can read it right now simply by subscribing to my mailing list and nowhere else. Just fill in the form to the right and you’ll be sent the download link once you’ve confirmed your email.

If the form below isn’t appearing for whatever technical reason, click on this link here to be taken to an unfailing full-page version.

Regardless, hope you enjoy the story. I think it’s a nice little work, it’s been a while since I did a short done-in-one and it was good to return.

 

Receiving my first set of edits – A Psychological Journey

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So, the ongoing plunge towards Hobson & Choi self-publication continues. I sent my manuscript of Book One off to an editor, because if my trip to London Book Fair taught me one thing, it’s that you gotta let someone else loose on it.
After all, I’m competing with an array of authors who have editors, I’m bothering to get a decent cover done, so I might as well make sure the insides are up to scratch.

With that goal in mind, I got my book back from the editor about a week ago, and have just blasted through the whole lot of edits once, making changes accordingly. It’s a strange experience, getting edited for the first time, and even after chatting to other people beforehand, it’s still… interesting.

Denial

A lot of writers say that when they first get professional feedback on their work from a professional editor or agent (or perhaps other professionals such as doctors, lawyers and accountants), they hear the bad parts and their first response is to admit: “Yes… yes, I knew all along, I was just hoping I was wrong.”

Are they telling the truth, or do they want to sound like they know what they’re doing?

I don’t know about others, but I can tell you that I totally knew everything all along, and the feedback from my editor served only to echo my own genius back at me.

Ahem.

Acceptance

To be honest, as edits go, I probably had a fairly easy ride. Lots of good feedback about my actual story, characters, pace, etc, but quite a lot of language stuff. To be precise: I sometimes over-narrate, which is something I’m aware of, but apparently need to chop more thoroughly.

Long story short, a fair chunk of over-elaborate narration to be cut, got a few new additions to compensate. The main problem, to be honest, is that a lot of fun observations or witty jokes tend to be buried in internal narration, and in removing that to avoid over-telling things, I also lose some good turns of phrase.

All comes back to that whole Killing Your Darlings thing again, doesn’t it? I love these words, and some can be salvaged with a move to dialogue, but many will simply need to die.

Bargaining

I struggled with it for a bit, to be honest. Even wondered whether me and the editor were well matched – all the time aware that I was probably just being precious. Part of me feels that the very close third person narrative, including inner thoughts and fun character theorising, is a big part of the style, and by chopping it back, I lose a bit of the fun.

On the other hand… it does read better now. A lot smoother. I’ve saved a decent percentage of the jokes I really liked, and the ones that are still in narration are a lot less buried in blocks of text. We’ll see how it goes, I suppose.

So, long story short, Hobson & Choi Book One is getting alarmingly close to happening now – hopefully late July or early August. I may even get my new title and cover up here on the blog in the nearish future, and won’t that be fun?

Is comedy dead? Or just not a great selling point in publishing?

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LOL?

Yesterday, I attended the final day of The Literary Conference 2014, an event thrown by The Literary People at The Literary Consultancy. I attended a few things, drank some nice coffee, and heard a thought that stuck with me: a brief answer uttered by a literary agent during the Pen Factor (literary X Factor) event.

One author read from a work which seemed to place itself as a humour story. Said agent commented that novels which identify heavily as comedy versions of existing genres tend to be a hard sell. After all, comedy is pretty subjective and “parody novels” are rarely amazing, so if possible, it’s better to market your comedy thriller (for example) as a thriller, and let people decide whether they like the book on those terms. If they happen to find you funny, bonus.

As someone who writes “funny” stories and mentions that attribute when describing them, this obviously gave me pause. So… time to reconsider?

Me and Jokes

When my weekly detective serial  Hobson & Choi began, I marketed it as a detective comedy and generally played it up as a LOL destination. By the second storyline, I’d realised I was taking the characters seriously, even if they said funny things, and shifted the blurb to “comedy-drama”.

Across everything I’m currently attempting, there’s self-aware humour, but the story isn’t shooting for farce. There’s even heavy emotional torment at times. So maybe I can get away with not labelling it as comedy at all if it helps me get a sale? Even though, yes, some of the surrounding concepts are a bit silly and self-aware?

On the other hand, I feel like I’d be missing a trick if I didn’t somehow communicate “Hey, this is pretty funny!” Among the other tips distributed on the day was the need to play up what makes your work unique and, well, that’s a big petal on my special little flower. (A weird expression I’ve just made up.)

Everyone Else and Jokes

Reaching outside my own inner world, a lot of my favourite stories and series mix comedy and drama, and although some of it self-identifies as comedy, a fair bit doesn’t. Political drama The West Wing is often funnier than most sitcoms. House isn’t technically a comedy, even though it constantly stabs for jokes.

My Writing Process meme – The truth behind Hobson & Choi

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So, for the first time ever on this blog (WOO), I have done one of those answer-some-questions-then-nominate-people memes. Because, y’know, why not? Lets me talk a bit about Hobson & Choi, which I always enjoy doing. For anyone who ever wanted a straight-forward pitch for the whole story, here it is.

Thanks to Lisa Goll of London Writer’s Cafe for nominating me, you can see her pass at the same questions over at her blog.

But now, on with the ME.

1. When and where is the story set?

Hobson & Choi is set in London, in The Now of the early 2010s. To be precise, it’s set in a criminal undercurrent that seems to exist just below the surface of almost everything. Seems to be nothing in London I can’t point to and say “Ah, but what if it was evil?”

2. What can you say about the main characters?

The main characters are John Hobson, middle-aged private eye with dark past, and Angelia Choi, slightly withdrawn but well-meaning teenage girl with… well, a past of some kind. They come together after she asks for a work experience placement at his agency, and end up using his expertise in turning over scumbags to investigate more modern crimes than he was bothering to find.

Although John Hobson, the world-weary old bastard, finds all these newfangled dirty-dealings rather fey and annoying. There’s a lot of bickering at first, but no doubt they’ll eventually discover they have more in common than they first thought.

3. What is the main conflict?

H&C has been one of those stories that has revealed its true self slowly as it went along. The main conflict seems to be between the slick new world and the rather grimy old one it’s built on top of, as helpfully embodied by Hobson and Choi themselves.

And more directly, the series of crimes the heroes are presented with provides a helpful immediate conflict. Can they solve the murder/find the kidnap victim/uncover the conspiracy? All the while dealing with their personal issues and secrets mounting in the background?

And if all that has enticed you to give Hobson & Choi a go, you can wait a bit longer for the upcoming definitive self-published edition of Case One.

The Infectious Phase

The lucky people nominated by me to carry this on…

  1. Frances Pauli, fellow JukePop author of The Earth Tigers.
  2. Alastair JR Ball, author of the non-JukePop webserial The First 500.
  3. Julianne Benford, book blogger and aspiring YA writer.

Hobson & Choi Self-Publishing Attempt – An Early Update

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Like most of my big announcements, this one was somewhat buried in various podcasts and the London Book Fair blog post a month ago, so here it is up top: I am planning Hobson & Choi self-published editions, collecting the series storyline-by-storyline, with proper covers, editing, extra material and general joy.

The first of these should be out in the summer, for both e-readers and paper-readers. The second… hopefully by the end of the year, but that could end up being optimistic.

So, as I embark on this adventure, I thought I’d blog about it a little. These will be on an irregular basis rather than every week, as there won’t always be anything to report. And yes, it is taking a fuckton of willpower to not call this Self-Pub Update #1 and start numbering them, but I’ve only just made myself stop doing that with the writing blogs. Must be strong.

Anyway. How’s it going with the self-publishing, Nick?

EDITS EDITS EDITS

I’ll spare you lengthy descriptions of my editing process, as that’s another thing you can get extensively in other posts. Suffice to say, the knowledge this will be going public in the near future does focus the mind. After I went to all those self-pub seminars at London Book Fair, it became clear that editing perhaps wasn’t something I should do all by myself.

After all, I wrote Hobson & Choi, edited it before publishing to Jukepop, yet again before recording the podcasts, did another pass recently to get it into a book-shape with longer, more substantial chapters. I’m fairly close to this material. I know it better than I know the back of my hands, because I stare straight pass my limbs to the monitor. See picture to left for an illustrated metaphor of how my hands are kept in darkness by the shining glory behind them.

So, as everyone advised in the seminars, I engaged the service of an actual editor. Sent the manuscript off to them a week or so back, and the moment I get it back and have to face their opinions is one thing I’ll definitely blog about here. I’m only a little scared.

But the story needs to be the best it can be, I gotta compete with not just other self-pubs but traditionally published authors who get editorial feedback from agents and/or publishers. Mustn’t do this half-arsed, no matter how much my bank account sometimes wants me to.

MORE MORE MORE

As mentioned up top, we have extra material, to entice fans of the original serial into picking up the book anyway. This takes the form of an extra short story, set in the Hobson & Choi universe (well, it’s mostly one city so far) and expanding on some minor characters. To be precise, it takes place behind the scenes in the criminal pub The Left Hand.

This story exists in second draft form and I’m pretty pleased with it. Hopefully I’ll become even happier as edits continue. And in terms of providing even more value to existing readers: it’s entirely possible these editors will tear my text apart so much, it’ll basically be a whole new story.

JUDGE A BOOK BY THIS

Lastly (for now), the other thing I decided I shouldn’t, couldn’t and wouldn’t do myself: making a cover for the book. Not that the existing H&C cover (on the right there) hasn’t served me well, but I don’t know shit about graphic design.

So I commissioned the nice people at Design For Writers, and it looks like we’ve got something. They come highly recommended if you’re after a book cover. It was a tough process at times and I needed to make intimidating decisions, including a new title for the whole first storyline (eek), but I think we’re there.

Which means I get to pull off one of those cover reveals all the cool self-pub authors do. I’m going to put it off for a few weeks, because we’re still months out from actually publishing, but trust me, it’s worth it. Or get me a drink and I’ll probably show you on my phone.

Don’t have to wait for me to drink the drink, I’ll happily give it up just in exchange for a pint existing.

Signing Off…

So that’s where we are with the Hobson & Choi self-publishing project. More updates will follow when something else tangibly happens. Questions? Worries? Suggestions for my marketing strategy? Comment below!