Nick Bryan

writing about writing

NickNoWriQuart – One K, Once A Day

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I stopped blogging regularly about my writing a while ago, felt I was running out of new/readable ways to say the same things – certainly, nothing I couldn’t say on Twitter more concisely. However, I’m embarking on a Big Writing Exercise shortly, so I’m throwing it a post.

Because, yes, it’s autumn, the end of the year is poking its head over the door, leaves are brown and it’s cold in a Winter-Preview kinda way, all that can only mean one thing – Writers Doing Calendar-Based Word Count Challenges!

Obviously, I’m a little ahead of everyone else here – most are waiting for November to embark upon the epic NaNoWriMo quest. But I’m doing something a little different and I’ll now attempt to explain it…

Own Goals?

If you read my 2014 writing retrospective post (and why wouldn’t you?), you’ll see I listed my third goal for last year as writing the first draft of my new fun-adventure post-H&C post-devil novel. Well, nine months on, I wrote about twenty thousand words of that in Spring before deciding it wasn’t working, then sidetracking for ages writing H&C4 and editing H&C3 (out soon!).

Basically – writing the first draft of an entirely new Thing has been on my to-do list for literal years at this stage, and I’d like to have one last aggressive punt at it before 2015 dissolves into memory.

So I’ve decided to do a word-count challenge, but not NaNoWriMo, because

  1. The daily targets on NaNo are slightly too tough for me to produce work I’m happy with, even by first draft standards – not that I can’t produce 1.6k of tolerable first draft on a day when I’m not busy, but catching up after days when I am busy soon turns it into a miserable chore and flushes the quality down the toilet.
  2. The overall target of NaNo is too short for me to finish a book – and not even just because I ramble. The NaNo standard 50k is shorter than almost all adult novels and many (most?) YA ones too. Even my H&C books, which aren’t exactly epic tomes, are longer.

So, what am I doing instead?

Quarter Master?

Don’t worry, I’ll probably still tweet.

Well, I spent a lot of August trying to hammer out my new ideas for an adult fantasy novel (not the one from earlier this year) into shape, and I decided I was ready to at least give a first draft a go. I also noticed there are ninety-one days in the months of September, October and November. So if I write 1000 words a day for the entire of that quarter-year, I get something around the length of an adult novel.

Plus I’d finish at the same time as everyone doing NaNo and piggy-back on their party! It’s a win win! I could feel bad, but I’ve been “rebelling” at NaNo – working on projects outside the normal parameters – every year for ages now. Would be more rebellious to not rebel, at this point.

Hardcore calendar users might note it’s nearly halfway through September, so I’ve not told you about the challenge until it is one-sixth over. This is because I have an ego, so decided I’d put off blogging about it until I’d met the quota for a while. If I trailed off in the first week, no-one need ever know.

Numbers Up?

The existence of this blog post suggests that it’s going okay. I’m writing this at 11PM on the 13th Sept with word count currently at 15k. I could have padded it out to 16k maybe by drastically overwriting the description in recent scenes, but the whole goal here is to produce a first draft that isn’t a smear of shit. So let’s try and slow down, pace properly, otherwise I’ll get to my 90k and be nowhere near the end.

In fairness, the one remaining risk in the plan is that this might happen anyway. Realistically, I probably need to get 100k (or slightly more) to finish a book, but if I can make 90 by the end of November, I might conceivably be able to squeeze the last tiny bit out in December around all that Christmas stuff.

The biggest threat to this enterprise is myself, as I’m releasing H&C3 on 6th October (EXCLUSIVE ANNOUNCEMENT), smack in the middle of this challenge. Fortunately, I’ve already done most of the formatting and tech prep, so I’m hoping I can keep it clattering along. We shall see. I do have a very busy week coming up approximately right now, so maybe the plan will fall straight off the rails after doing the blog post.

And now my ego is considering putting the post on hold for a few days to make sure that doesn’t happen, but I’ll power on through. I’m going to refrain from banging on about this endlessly, but at least one or two updates will follow if the project continues. Good luck with anyone else out there doing pre-NaNo writing challenges, let me know if you want to form a support group.

Hobson & Choi Podcast Special – Writers’ Huddle Interview with Ali Luke!

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Like a bolt from the blue, the Hobson & Choi Podcast is back on the scene!

I’ve moving house in the near future and will be without wifi, so internet content from the Nick Bryan/H&C Media Empire will be thin on the ground. But before disappearing into irrelevant meatspace for a bit, I recorded an interview for Writers’ Huddle, a subscription-only writing forum run by the excellent author and blogger Ali Luke.

Listen now to hear me talk about H&C, serialisation, self-publishing, writing characters different from yourself and whether I ever considered putting Hobson & Choi into first person. Plus a little news about the status of upcoming H&C books in the outro.

So, download the episode here using the power of browser rightclicking!

Or go to Mixcloud here, or if you’re faithful enough to still be subscribed to H&C in iTunes, it should be there too…

Thanks to Ali for hosting the chat and letting me put it out to the wider internet. Be sure to check out her blog at Aliventures and her own self-published fantasy book Lycopolis. Plus she’s on Twitter (obviously) as @aliventures.

If this interview got you interested in my Hobson & Choi darkly comic crime books, you can read more about them at HobsonAndChoi.com. Sounds by zagi2 on Freesound as before.

And that, for now, might really be it for a wee while…

Five ways my book plans collapse upon contact with the real world – A Metaphorical Disaster Movie

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At this stage, I’ve written a lot of novels, and started even more than that. Every single one started with a plan of some form – sometimes a couple of ideas scribbled on a pad, other times thousands of words of ideas, followed by a chapter-by-chapter outline and then individual scene breakdowns within those chapters.

But either way, the plans always come a little unstuck when exposed to the writing process. As I’ve been doing a lot of first drafting lately, so spending a heaping helping of my time dealing with plans not corresponding to prose.

So, to inform and reassure anyone in a similar place, I’ve broken my Plan Vs Reality problems into an internet-friendly Buzzfeed-style five-point list. Yes, only a thin membrane separates some of these feelings, but I’ve spent enough time staring at my plans in despair to know they’re all distinct. If you’ve experienced all five of these, you can award yourself a prize when you reach the bottom!

1) “This bit read a lot better in bullet points!”

“It seemed a good idea at the time!”

BRAIN: “Look, y’know, this scene sounded amazing in my head and even survived the transfer to the planning stage as I wasn’t thinking about the nitty-gritty too hard, but bloody hell, as I try to actually make my characters do it, I feel like I’m trying to shove them in to an ampersand-shaped iron maiden.”

RETORT: Much to the relief of my tender ego, this one happens a lot less as I grow older, accruing more feedback and more experience. Generally, by the time I’ve written broad notes and narrowed them down into a plan, I’ve eliminated most of the utter gibberish.

However, still mega-disheartening when it appears, especially because it often hits on a really macro level. It’s rarely just a scene or a paragraph that withers on contact with the outdoors, it’s the whole damn ending or an entire character subplot.

Like, you were totally gonna write seventeen chapters from the perspective of Rufus The Hot Ice Cream Man but the material just isn’t there. It’s incredibly annoying, but rest assured, you’ll feel happier for having noticed now than after writing an entire first draft.

Although, yes, that can happen and it’s a complete arsewrench.

2) “This is an amazing twist!”

[INSERT ‘YOUR MUM’ JOKE HERE] [PHOTO ATTRIBUTION HERE]

IMPULSE: “Wow, y’know what would be amazing at this point? If he discovered his mother was a hamster! Because people won’t see it coming and it kinda-sorta flows into the rest of my plot and ramps up the tension, even though it does also ruin the next few scenes by disrupting almost everything I was gonna do, since all the characters will probably have to react to Bob being suddenly half-rodent…”

CONTROL: Less depressing than the last one, because at least you feel like you’re improving the story rather than tearing parts away, leaving only frayed edges stained by your tears. However, it still requires a degree of control and interrogation.

After all, many creative types (me included) get massive self-targeted erections when a killer plot twist comes to us mid-writing. We can smug-tweet about it and set about enacting a huge reveal and exploring the exciting ramifications.

And all that is awesome and has often improved my stuff – the sense of excitement and spontaneity travels from your fingers to the words. However, do make sure you still know where you’re going, otherwise you can veer into…

3) “I can’t get there from here!”

“Can’t Get There From Here” is a good song by REM

CARROT: “I… I just can’t get to the end. I mean, I know what it theoretically is and I still like that idea but I just can’t… I don’t know, it’s been hidden behind spontaneous plot additions and mountains and that total eclipse…”

STICK: So the next transition just won’t come. You’ve written yourself into a corner, then built walls around that corner, locked the door and only now wondered about what happens when you next need the loo. You still want that ending, but (possibly thanks to the previous step or perhaps just general drift or oversights in your plan), it won’t work. It’s not that it’s bad, it’s just unavailable. Like your celebrity crush or becoming an astronaut.

Unfortunately, this means making some hard choices – probably either deleting one of your beloved off-the-cuff plot points or changing the ending. The degree of the change might be negotiable, though – I’ve usually found a way to have my cake and eat it with only a few nips and tucks. I tend to go for tweaking the ending rather than removing plot twists, because I find my initial plans are often overly linear and a sudden sharp move livens them up.

4) “I can’t get here from there!”

wibbly-wobbly-planny-wanny or something like that

CRIME: “Ever since my brother Lols got into that time machine, I’ve felt like everything has changed, y’know? Like none of the previous passage of my life actually points to where I’m now going? Like once upon a time, maybe my Mum wasn’t a hamster, but now everything hinges on the reactor fuel I’ve squirreled away in my cheeks.”

PUNISHMENT: Okay, this might move into time travel logic, but stay with me.
So, you’ve worked your way through a string of plot problems – maybe the above-mentioned, maybe others – and you find yourself with a clear run to the end. And you’re gonna make it, but… but… you’ve made so many on-the-fly changes to the current set-up to make the new ending work, you’re now aware that huge chunks of the earlier part of the book need to be rewritten in order for everything to flow smoothly.

Good news: this doesn’t mean more work right now, but it does leave that hanging over your head for when the next draft comes around. It may even be tempting to go back and make changes now, even though conventional writing wisdom nowadays tends to gravitate towards finishing the first draft and then tackling this eternal to-do list.

Personally, I lean towards the standard POV, partly because if I go back and do extensive changes before I get the ending down, it’s entirely possible I’ll then make spontaneous changes to the ending, which will cause more butterfly effect ripples back into the past, thus causing me to rewrite the start yet again, trapped in an endless vortex

And at that point, time to collapse and scream. If it were an episode of Doctor Who, I would stop watching it.

5) “This is a pile of shit and I’m going over there to cry.”

My post-novel-abandonment selfie

BLOODY: “This is terrible. I definitely didn’t plan on making it terrible. I don’t even remember when it became terrible. I can’t even point to a specific scene which isn’t working out. It’s just everything. I have built a tower and the foundations are rotten – now I can only cower below as the girders tumble, punching red, gushing holes in my prone body.”

HELL: No, you won’t be the first writer to have these emotions. Again, conventional wisdom dictates you push ahead to end of draft and assume you can fix it in edits, and that will probably work most of the time. No-one but you can judge whether your worries are real or if it’s just a momentary wobble you should shake off, Taylor Swift style, and fight on to fix later.

I wrote the first 20-ish thousand words of a novel recently and it’s come to a halt – partly because other projects demanded the time but also because I really think some of the foundations are fundamentally wrong. I need to rethink some stuff rather than piling more and more dirt on top of myself until my bones start to splinter and crunch.

I stress, I don’t think the problems are unfixable, but still, they’re pretty extensive. And, much like the first point in this post (man, remember that?), it’s mostly experience that teaches you when you’re at that stage. Reading posts like this on the internet might get you looking in the right direction, but ultimately you need to hone these instincts. This is why most writers have at least one ‘trunk’ novel they worked out their issues on and eventually gave up, moving on to apply the lessons to book plans with stronger foundations. Personally, I have,.. at least four, maybe more than that.

And there is the five-step love-hate-love-hate-hate-love relationship between me and my novel plans. If any of this made someone out there feel less alone, it was worth writing. If it made you worry about my well-being (or if the tone appealed to you and you want more), feel free to buy one of the Hobson & Choi books to make me feel better. They are darkly comic London crime stories and quite a few people seem to like them – review quotes also on the page linked above.

But don’t feel like you have to, I’m just throwing that out there. Now, I’m off to rewrite a book plan for the seventh or eighth time.

SERIAL KILLER – Hobson & Choi webserial conclusion contemplation

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As you’ve hopefully struggled to miss if you follow my various web presences in the last few days, the last chapter of the Hobson & Choi webserial on JukePop debuted on the site, bringing the whole 1.75 years of its life to a close.

The story of Hobson and Choi themselves will continue in the self-published book editions, the second of which comes out in January. However, future cases will be written in longer chapters, entirely with the books in mind. I thought the loss of week-to-week serialisation from my life warranted a few words.

PREVIOUSLY ON

As I’ve said in various places, including the quick blurb at the end of the final serial chapter, I grew up on serialised books, TV shows and comics and they still form a majority of my cultural intake. So yeah, a weekly serial, with a breathing universe to slowly unpick and characters who unfold other time, is always something I’ve wanted to do.

The heavily serialised nature of the H&C web version, with characters coming and going, smaller story arcs unfolding within bigger ones and plot threads drifting around before finally exploding, is very much something I’ve taken from those. The way characters took on their own lives, combining in interesting ways and weaving together to form the wider tapestry of the Hobson & Choi universe was exactly like I hoped it would be.

DARK TURN

Unfortunately, it was kinda its own undoing in the end – the bitty nature of the text made it harder to translate into novel format, and since those are intended as the ‘final form’ of the whole story, the one that might make proper money from it, it seemed foolish to keep on with the weekly serial, generating more work and making little cash.

Honestly, what I’d love to do is start a Patreon or similar for an ongoing serial in the H&C format (about 1.5-2k word weekly chapters, not necessarily crime genre) fully intended for and owning that structure, justifying itself through the regular flow of backer money. And then I could probably do some kind of collected editions as well, but it would be less pivotal that they succeed.

Unfortunately, not sure I’m there yet in terms of fan following, but one day, my friends. Maybe once the H&C books sell a few thousand million copies.

TRIUMPHANT MOMENT

Anyway, just because the H&C serial is going away, I don’t want to shit on what I did achieve. As of now (29th Nov 2014), H&C is still the most voted serial ever on JukePop, along with the various monthly chart achievements and biannual award win. I’ve had loads of comments, received good reviews on various websites and met some excellent people through the webserial community, both on JukePop and beyond.

So yes, it was great to live my writing-a-serial dream, but the fact other people came on board and gave a damn was almost better. I knew Angelina was a decent character, but actual teenage girls getting in touch say they totally felt for her, rather than screaming at me for butchering their demographic, is definitely going on the list of achieved writing goals.

Not yet had any cynical detectives with dark pasts get in touch to compliment my portrayal of Hobson, but there’s still time, guys! Email me now!

TO BE CONTINUED

If you’re worried that this is the beginning of the slow death of the H&C franchise, I hope to prove you wrong. Already written the first 5000 words of Case Four, the first post-serial story, and Case Two is damn near ready to go in January. Will start whipping Case Three into book shape that same month.

In the meantime, if you want more H&C right now, as ever, Case One – The Girl Who Tweeted Wolf – is out now and features an exclusive bonus story digging into one aspect of the universe. That extra story is a decent length too, quite pleased with it. Another fun aspect of owning my own serial world. A similar book-only story will be bundled with Case Two in January.

There’s also a short exclusive H&C case available to mailing list subscribers, so if you go sign up now, the link to download that will be emailed over, and you’ll be told when important future H&C/Nick Bryan developments happen.

That really is it, guys. I think I’m done looking back wistfully over the weekly H&C serial, it’s time to march onto 2015 with our eye set firmly on future book-shaped developments. It’s been good, though. Hopefully I’ll get to do it again one day.

Pros And Cons Of Reading Your Writing Out Loud (or Why I Was Talking To Myself, Honest)

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Reading Aloud - The Dream

From eleven o’clock yesterday morning until seven in the evening, I sat at my desk alone, reading out the first sixty percent of my current nearly-finished work in progress. (The second book of the Hobson & Choi series, since you asked.)

For a couple of years now, the read-out-loud has been the final step of any work before I show it to other people. I vocalise the entire text to an empty house. If you don’t do this, I’m not going to tell you it’s essential (because different strokes for different folks and I would never tell you how to stroke yourself), but if you’ve never even tried it, here’s how it works for me.

The Actual Process, Actually

There are no major secrets in my process. It goes like this:

  • Sit at desk with manuscript open.
  • Read out a scene, making changes whenever I hit such problems as:
    • That phrasing sounds clunky.
    • I’ve used that word twice in a short space of time.
    • I’ve written “actually” eight times in this sentence, because I always bloody do.
  • Keep going until I become distracted or need to pee/eat/other.
  • Continue afterwards.

As well as obvious issues that crop up within a scene or paragraph, reading it out makes me more likely to spot issues over a wider space of time. For example, earlier today, I noticed I’d described a character’s clothes using the exact same three words, three scenes apart. These things happen, obviously, but feels good when I catch them.

Maybe I take in the details more when I force the words out of my mouth, rather than maybe lapsing into scan mode when merely eye-reading. Anyway, I genuinely think it goes a long way towards making the final work natural and readable and if you haven’t tried it, it’s worth a go at least once.

Fully Soundproof Balls Of Steel

No-one is perfect, of course. Here are some downsides or issues I have encountered while using this amazing wonder-method to change my life.

As I’ve said before, most impressively on this video-blog, I struggle to get work done in my house. To write with efficiency or volume, I generally sit in local cafes, living the hipster-writer-ponce dream. Unfortunately, unless you have gleaming balls of steel, reading your writing (especially a full-length novel) out to yourself in public is hard to pull off.

Every time I spend a whole day reading out, I look back and see an hour or two I could’ve spent working, rather than procrastinating in various ways. In future, I might try only reading for half the day and going out for the other bit, so I can feel some degree of Full Productivity. At least, until I can persuade my local cafe to install a fully-soundproofed Writer Cubicle for me to work in.

The other related issue: by the time you’ve edited your book a few times and decided on a final polish via the reading-out method, you might be close to sick of it. Forcing the entire text out between your teeth will probably not help, and only make the afore-mentioned procrastination problem worse.

Again, breaking it down into smaller sessions may help, or slotting in some other writing task between drafts to get some distance from it. Failing that, I promise myself some reward at the end (usually from the Food or TV genres) and ram myself through the task mercilessly.

But despite these minor pitfalls, I still think reading out your work is a worthwhile endeavour to consider. If you suddenly want to hear me reading out some work after this post, you can still get all 33 chapters of the Hobson & Choi Podcast on iTunes. Enjoy, and if you have any reading-out tips to share, that is what the comments are for.

Hobson & Choi – Updates & End-dates

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Hobson & Choi, my ongoing webseries about two mismatched detectives and their weird adventures in a horribly corrupt modern London, has experienced a strong few months. We’ve done well on Jukepop Serials, the first collected book edition has come out and also put in a strong showing. So since we had a big positive announcement today, it seemed a good time to do a general H&C post, talk about stuff, make some declarations.

Hopefully it’s all ultimately going to be good news. But be warned: your emotions may vary. Let’s start with the really obvious flag-waving upbeat section.

VICTORY PARADE

So, not only have we been #1 in the monthly Jukepop Serials charts for the last couple of rounds – which would be pretty excellent in itself – but we recently crossed a pretty big boundary: Hobson & Choi now has the most votes of any serial in the history of the site.

Look, here’s a screen grab of that fact, taken on the evening of Oct 16th.

To be honest, that’s basically our biggest single achievement on that site – it’s amazing that the many and varied readers of Jukepop have embraced the story, and thanks to everyone and anyone who voted, commented, reviewed or recommended us anywhere and other such things. Hooray.

We also won the biannual prize, finally announced today, for getting the most votes in the six months between April and September. This win was helped by big boosts from the book launch and releasing twice-weekly chapters for ten weeks. All of which means we win $500, which is almost all going into promo/expenses for the H&C novels. Brilliant stuff, thanks again.

And now, to conclude this victory lap, here’s a short video by fellow JP author, recent successful Kickstarter organiser and friend-of-the-serial Virginia McClain.

Crossing The Finish Line

Here’s another announcement I’ve been sitting on: the Hobson & Choi webserial is finishing with the upcoming gala-sized H&C #100. That should be with you in late November, unless I injure myself.

It’s not the end of the Hobson & Choi story, that will continue in book form, but it is the end of Angelina Choi’s two-week work experience, the wrapping up of a few major subplots and, I’ve decided, a reasonable place to draw a line.

Basically, I’m doing this to focus on the book editions. That was always the plan, and since I’m approaching a clear breakpoint and am on a high in terms of Jukepop achievements (see above), this seems the right time to burn out rather than fade away.

The serialised nature of the original chapters is only causing more work when editing them into book form, not to mention I might sell more copies of later books if I stop giving all the material away for free (even if in a less polished form).

So this is it. Six chapters to go, four of which I’ve already written, and then we’re all done with the serial. Leaving us only with…

Hobson & Choi: The Glorious Book Editions

Since I’ve just announced I’m ditching the webserial for them, let’s have an update on the H&C novels. Book Two came back from the editor a couple of weeks ago, and I am hoping to enact the changes by the end of this month, just in time to consider whether I want to do NaNoWriMo after all.

The cover is also coming soonish, but to make sure I have enough time to deal with the actual technical self-publishing stuff, get the print and ebook editions out at the same time, plan some promotion and avoid competing with Santa, the actual publication date will most likely be in January.

Book Three to follow, probably in late spring/early summer, and then we’re into all-new book-only material.

Phew. So yeah, it’s a pretty busy time in the H&C section of my schedule. I also have a fantasy novel which I’m nursing through various latter-stage drafts, so I’m keeping occupied.

If you want to encourage me in my dreams, feel free to buy The Girl Who Tweeted Wolf (aka H&C Case One) from one of the many buy links on this page. If you’ve purchased your copy already, why not leave a review on Amazon or Goodreads? Or subscribe to the mailing list and get a free all-new H&C short story?

If you’ve done all that, you’re probably alright. Thanks for reading. Time for a nap, I think. Feel free to leave any heartfelt eulogies for the Hobson & Choi webserial in the comments, I’ll probably write my own once the end comes.