Nick Bryan

Film Reviews

The End Of The Year Is Nigh

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Believe it or not, when I posted my brief and innocuous Christmas message last week, I received a complaint from one reader that I hadn’t produced something more substantial. The fact I’d provided a 2000 word story about Christmas a few days previously didn’t seem to placate this guy.

So it’s really entirely his fault, the moaning bastard, that I’m about to inflict a full-length End Of Year blog post on you. I’m planning on listing my own 2011 highlights, then outlining the best cultural “stuff” I have enjoyed during the period. If that floats your boat, read on.

Me, My Writing And I

I generally don’t talk about my life much on this blog, because I already do that on Twitter, and at a length I’m amazed anyone can stand. But just for the record, here are the events that leap out at me from 2011.
  • First published fiction work! That was always going to top the list, really. If you want to buy said story, details are here. It’s 12,000 words long and I’m quite proud of it.
  • And in general, I entered the second year of my creative writing MA. Aside from the current life-ruining essay, I’ve enjoyed it. Some of the feedback has been intense, but in a good way. Mostly.
  • Left the British Isles for the first time in two years, for 48 glorious hours in Belgium. This has made me nostalgic for the days when I could afford real holidays.
  • Moved from Android phone to iPhone. Positive effects so far: Instagram and better games. Negative: having to use iTunes on a PC, which is an abomination.
  • Got new TV writing gig for Television @ The Digital Fix, as well as continuing reviews for Dork Adore. Made glorious podcast debut which, after about six attempts, I even managed to listen to.
  • Finally started noticing the recession, after living in a bubble of childlike simplicity for ages. Didn’t enjoy this one as much as most of the above.

Stuff I Liked

That last section went on a bit longer than intended, so this will be fairly brief.
  • TV: Not sure the world needs more long rambles from me about television. Some things were good, especially Stewart Lee’s Comedy Vehicle, The Hour, Exile and The Killing.
  • Film: A raft of superhero films, many I suspect I only liked due to reading the comics. X-Men: First Class is the only one that might’ve been objectively good. Outside that subgenre, Studio Ghibli’s Arrietty was lovely, and I completely failed to catch most proper films at the cinema. Oh, Real Steel. I saw that. Um.
  • Music: Annoyingly, many artists I like released records this year, but often weren’t as great as I hoped. Best album probably England, Keep My Bones by Frank Turner. Suck It And See by Arctic Monkeys also very cool in a pop-rock way, and they’re not even a band I normally listen to. Collapse Into Now by R.E.M. was a triumphant rattle through their style, especially poignant since they later split up. Great if you’re a fan, others may not care.
  •  Podcasts: An art-form I’ve only recently started paying attention to, but Please Don’t Hug Me is very funny, and if you like that, consider The Daniel Ruiz Tizon Podcast, a solo effort by one of the presenters. If you like comics, I recommend House To Astonish most highly. Commenters: feel free to mention any other podcasts you recommend, I could use more.
  • Theatre: I went to see the Matilda musical the other day. It was fantastic.
That’ll probably do. If you’d like a short story themed around New Year as well, read this one from last year and pretend it’s called “Operation 2012”.

So, that was 2011. I could make some kind of prediction or publicly declared resolution for 2012 now, but I’ve learnt to stop doing that. Happy New Year, regardless. Hope it’s excellent for all of us.

Avatar – Belated Review

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Finally saw Avatar a week ago. However, my brief attempts to interest ‘proper’ blogs in a review didn’t go well, as the movie is now over two months old. So I ended up writing this piece for Dorkadore, focusing on its massive financial success (albeit with a few review-esque snippits).
However, I review things out of love, not just as a “job”. So I wrote a straight review of Avatar and am posting it here for the entertainment of anyone who may care.

(Notes: Yes, some points are repeated across the two pieces. And yes, a few small spoilers are contained within.

NICK REVIEWS AVATAR AFTER EVERYONE ELSE

The James Cameron-masterminded sci-fi epic, Avatar, has been out for a couple of months now. The build-up happened, filmgoers got excited, then readied themselves for an anticlimax, and finally felt slightly disappointed when reviews came out and were positive but not spectacular.

Despite all of that, it has ended up becoming the most successful film of all time. Nearly everyone has ended up seeing it in some form, even if only because their friends were going. Which is what happened to me yesterday.

I hadn’t bothered with it until now, because… well, I don’t like hard sci-fi, I can’t stand elves and I disliked most of Titanic intensely. But, you know, it’s the most successful film of all time. I don’t like to feel left out.

Fortunately, Avatar is to hard sci-fi what Emmanuelle is to hard porn. All the same parts are there, but they never get used in sufficient detail to qualify. The ‘avatar’ technology itself, easily the most interesting concept in the film, is skimmed over a tad, in favour of the more conventional culture clash-morality tale-love story involving the (concealed) white man among the noble savages.

Which is frustrating for those of us of the dork persuasion, but I am not convinced we’re the target audience here. Cameron may have included a swathe of sci-fi trappings to differentiate his film from Pocahontas, but this is definitely a film for the movie-going masses. If he’d spent the entire time delving into the intricacies of body-swapping, the record-busting box office figures would probably not have happened.

Not to mention, the story isn’t entirely the point either. Or rather, it is, but only to provide a setting for some lovely visuals. And they are gorgeous, make no mistake. Cameron’s vision of the multi-coloured alien world of Pandora is amazingly realised here, and once again manages to draw in the viewer, even as they moan about plot predictability.

So, yes, even though the plot is mostly predictable, the dialogue sometimes groan-worthy and, yes, ‘unobtanium’ is a horrific name for a rare and valuable element, you can see why it has done well. It may not be anything ground-breaking, but it’s a simple, lush modern-day fable. It was nearly three hours long, yet I was rarely bored. And if nothing else, I’d rather watch this again than Titanic any day.